标题: Sheila Chandra - Moonsung [打印本页] 作者: Lepapillon0311 时间: 2006-1-22 20:11 标题: Sheila Chandra - Moonsung <img src="http://image.allmusic.com/00/amg/pic200/drP000/P075/P07567I5PG4.jpg" border="0" onclick="javascript:window.open(this.src);" alt="" style="CURSOR: pointer" onload="javascript:if(this.width>screen.width-500)this.style.width=screen.width-500;" />
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<br>One of the most unusual and successful singers of the '80s and '90s that has attempted to fuse the music of non-Western cultures with Western pop, Sheila Chandra began recording as a teenager in Monsoon. Of Indian ancestry, but born and raised in Britain, Chandra took lead vocals in the band, which pursued a sort of new wave-tinged raga-rock along the lines of George Harrison's explorations on Beatles tracks like "Love You To." The combination yielded an album and an unexpected British hit single, "Ever So Lonely," in the early '80s. Chandra, however, felt limited by the label's pressures for more commercial product, and signed to a small indie label, Indipop, which she felt would offer more freedom for her explorations as a solo artist.
<br>In the mid-'80s, Chandra was astonishingly prolific, releasing five solo albums over a period of about two or three years that drifted away from the Asian dance-pop of Monsoon into a more personal sort of world fusion. Chandra also began to write much of her own material, usually in collaboration with producer and huS*and Steve Coe; Coe had also helped produce, write, and perform the music in Monsoon with Martin Smith, who also assisted on Chandra's early solo records. Indian instruments were still usually employed, and electronic rhythm tracks still sometimes used to guarantee some measure of danceability and pop-rock appeal. But with increasing frequency, Chandra was pushing herself beyond the parameters of pop-rock with wordless pieces of both melismatic singing and percussive mouth noises, ambitious song cycles, interwoven overdubbed vocal tracks, and a 27-minute track based around a raga. (Her mid-'80s Indipop albums have been reissued in the U.S. by Caroline.)
<br>Chandra truly matured as an artist, however, with her '90s albums for Peter Gabriel's Real World label (distributed in the U.S., again, by Caroline). As proof that adulthood doesn't have to mean tamer and more mainstream product, these found Chandra achieving a true world fusion that drew from Indian ragas, elements of British folk, Middle Eastern chants, sophisticated studio overdubs, and more vocal percussion compositions, the last of which bordered on the downright experimental.
<br>Chandra and Coe were now almost solely responsible for the music (Martin Smith no longer being an active participant), constructing drone-like instrumental textures to suitably complement Chandra's oft-wordless singing. Pop and rock were hardly factors anymore; Chandra was primarily interested in extending the limits of vocal expression, whether applied to Indian, Spanish, or Islamic forms, or the kind of material that could find a suitable home in the repertoire of June Tabor or Laurie Anderson. These recent works have firmly established Chandra as one of the principal boundary jumpers of contemporary music, but she's not a dilettante, and she imbues her music with a haunting, spiritual grace.
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<br>Artist:Sheila Chandra
<br>Album:Moonsung
<br>Release Date:Apr 6, 1999
<br>Label:Real World
<br>Type:Compilation
<br>Genre:World
<br>Styles:Indian Folk,Worldbeat,Indian Pop
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<br>Tracks
<br>1.Ever So Lonely/Eyes/Ocean Chandra, Coe, Smith 3:26
<br>2.Dhyana and Donalogue Chandra, Coe 4:42
<br>3.Shehnai Song Chandra, Coe 2:05
<br>4.The Enchantment Chandra, Coe 4:46
<br>5.Speaking in Tongues III Chandra, Coe 2:16
<br>6.Abonecronedrone 3 [excerpt] Chandra, Coe 4:17
<br>7.Nana DeFalla 2:36
<br>8.Waiting Chandra, Coe 6:03
<br>9.Sacred Stones Chandra, Coe 5:33
<br>10.Abonedronecrone 1 [excerpt] Chandra, Coe 3:10
<br>11.Lagan Love/Nada Brahma Chandra, Coe 4:07
<br>12.Blacksmith Chandra, Coe 2:59
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<br>Review by Heather Phares
<br>World music pioneer Shelia Chandra's diverse, groundbreaking works for the Real World label are collected on the 1999 retrospective Moonsung. The album explores Chandra's spectrum as a vocalist; she combines influences from Ireland, India, Andalucia and the Arabic world in a timeless, distinctive style. Creative and spiritual, Moonsung provides the perfect introduction — or reacquaintance — to Chandra's global artistic vision.
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